Lord Of The Flies - Whats The Point? :: essays research papers

Lord of the Flies - Whats the Point?Lord of the Flies, a literary classic, examines specific social and human natureissues. The boys experience power and leaders struggles, a battle with sadism, andthe never-ending fight for the role of intellectuals in society. The author WilliamGolding, presents human nature as a contrast to the reality of the boys on the island. dickhead and Ralph were two boys who both treasured to be the leader. From the verybeginning of the book the two boys had disagreements. Jack thought that he should beleader. Ralph was the central character and he had a lot of pressure put on him to comeup with ideas for survival. Thats where gluttonous comes in he was the never noticedsidekick of Ralph. Piggy always came up with the acceptable ideas to help Ralph be thepreferred leader. Ralph was a democrat, he wanted order and things to be accomplished. Such as the rescue flaming and huts being built. At first everyone wanted to help and geteverything achieved, but soon after the tasks went to a few people. The boys who did notwant to work wanted to play. That is when Jack started to do whatever he wanted. Atfirst Jack preferred rules, but after the book progressed he slowly put the things hewanted first thats when the battle for leadership starts between Jack and Ralph. Jackwanted to have fun and to hunt. He was the appointed leader of the hunters and he hadan addiction to kill. Jack got satisfaction out of slaughtering animals, it made him feelcommanding and powerful. Jack represented dictatorship and showed how everythingshould be his way. He played on the idolise of the boys and persuades them to join his tribe. Jack had his own agenda to follow. Now that he had control over so many boys, he couldhave his own fort with guards. Anytime he wanted Jack and his hunters could go killwithout Ralph getting mad at them for not working. Jack won the battle for leadership.Jack was the evil or the meritless side of the island. The beginning of the story startedout with Jack and the rest of the boys painted as innocent. Jack was just a choir boy, butslowly his human nature was tested. He turns in to a bully, he picks on and fights withPiggy. Piggy is made an outcast by Jack teasing him about being a fatty. Jack alsoisolated Simon from the group by making fun of Simons view of the beast, shown in this

Willem De Kooning :: Biographies

Willem De Kooning Willem De Kooning had been widely acknowledged as one of the greatestpainters of this century known for his daring originality. Severalexhibitions in the U.S. and abroad gravel celebrated the artisticachievements of this eminent artists 60-year career. My essay covers partof his early life with real focus on his late paintings. His last works,painted in the 1980s, as he was in deteriorating health have come undercriticism by some critics. Willem de Kooning was born on April 24, 1904 inRotterdam, the Netherlands. His father was a beer distributor and hismother ran a bar. At the age of twelve he became an apprentice at acommercial design and decorating firm. He studied for viii years atRotterdams leading art school. In 1926, de Kooning secured a passage on astreamer to the United States, illegally entering and settling in new-madeJersey. He quickly moved to Manhattan, painted signs and worked as acarpenter in New York City. Then in 1935, he landed a job with t he WorksProgress Administration, a government agency that put artists to workduring the Great Depression. By the next decade, he had attained a range inthe downtown art scene among his fellow artists. By the late 1940s, de Kooning along with Arshile Gorky, JacksonPollock, Mark Rothko and Barnett Newman, began to be recognized as a major(ip)painter in a movement called Abstract Expressionism. This new school ofthought shifted the center of twentieth century art form Paris to New York.Willem de Kooning was recognized as the only painter who had one foot inEurope and one in America. He combined classical European cooking inHolland with a love for popular American culture. The restlessness andenergy of American life was a source of great inspiration and passion forhim. Gary Garrells, the straits curator at the San Fransisco Museum of ModernArt said, He had the wildness of Pollock but mixed with the impeccablecraftsmanship of the European tradition. He was not evoke in style, he was interested in the process of looking and knowing and getting under theskin. Willem de Kooning, 93, was the last survivor of his famous peers.One would not have predicted for him a great old age. Among the leadingfigures of hard-living generation he belonged by temperament and talent toa romantic tradition of artists who burned the physical and psychical fuel ofthemselves with devastating speed and completeness. Few of de Kooningsclosest friends and colleagues survived the harshness of the 1940s and

The Cycle of Selfhood in Sillitoe Essay -- Literary Analysis

The Cycle of Selfhood in Sillitoe PrefaceAfter Alan Sillitoes death in 2008, journalist and author Catherine Mayer wrote Sillitoes obituary for date magazine. She begins it with her own assessment of Sillitoes work. Mayer asserts that Sillitoe possessed a rare ability to identify the lovable qualities in characters his readers might shun in real conduct (Mayer). It is true he did. That ability can, of course, be attributed to talent, hard work and strong writers intuition, but it can also be said that perhaps it was easy for Sillitoe to identify those qualities in those characters, because he identified with those characters. One critic goes so far as to say that Sillitoe is too close to them for his own good, he abdicates to an outpouring autobiographical compulsion (Roskies 172). The critic tempers that remark in the next sentence saying that, Its virtueis its splendid recreation of hand-to-mouth subsistence living in Nottinghamthe industrial North as a whole (Roskies 172)Sill itoe grew up in the same kind of environment as his characters do. Born in 1928 and raised in Radford, a working class suburb in western Nottingham (Daniels and Rycroft 461), Sillitoe was son to Christopher Sillitoe, a tannery laborerilliterate, frequently out of work and sometimes abusiveand Sylvia Burton Sillitoe, a lace factory worker (Aspden). At 14, Alan Sillitoe left school to work a string of factory jobs, one as a lathe operator at a bicycle factory (Daniels and Rycroft 464), just like Arthur Seaton, the protagonist of Sillitoes, Saturday Night and Sunday Morning.IntroductionContemporary working class fiction from the British Isles is troubled with class struggle and its a topic that drove much of the work of the Angry ... ...Lessons of the long-distance runner. The New Criterion (2008) 23-28. Academic Search Complete. Web. 13 Oct. 2011.Daniels, Stephen, and Simon Rycroft. Mapping the Modern City Alan Sillitoes Nottingham Novels. Transactions of the Institute of British Ge ographers 18.4 (1993) 460-480. JSTOR. Web. 13 Oct. 2011.Mayer, Catherine. Alan Sillitoe. Time 10 May 2010 35. Academic Search Complete. Web. 13 Oct. 2011.Penner, Allen R. valet de chambre Dignity and Social Anarchy Sillitoes The Loneliness of the Long-Distance Runner. Contemporary Literature 10.2 (1969) 253-265. Academic Search Complete. Web. 13 Oct. 2011.Roskies, D. M. Alan Sillitoes Anti-Pastoral. The Journal of Narrative proficiency 10.3 (1980) 170-185. Print.Sillitoe, Alan. The Loneliness of the Long Distance Runner. New and Collected Stories. New York Carroll & Graf Publishers, 2003. 1-35. Print.